It’s the opening song on this album, and sets the fine, easy pace that characterizes many of the tracks. Sinatra also recorded “I Think of You,” which comes from Rachmaninoff’s Piano Concerto No. (Listen for Scott’s brief quote of “Moonlight Serenade.”) 5, recorded twice by Sinatra and becoming a mild Glenn Miller hit. Unlike the other eight cuts on this album, “Theme from Swan Lake” doesn’t have a pop-song hit associated with it, but Tchaikovsky certainly had a huge hit with Freddy Martin’s “Tonight We Love.” It’s not on this album, but Tchaikovsky is also represented here by “Moon Love,” swiped from the second movement of his Symphony No. Then it’s a nearly seven-minute exploration of the variation possibilities, including some bop-tinged choruses by Lundgren before Backenroth gets out his bow and channels his inner Paul Chambers. After some ominous bass build-up, courtesy Backenroth, Hamilton states the theme in his trademark dark, breathy tone, giving the bridge to pianist Lundgren. And the title acknowledges the fact that each of the nine numbers is based on a tune from the classical-music world.Īs “Theme from Swan Lake” swings into a dark-hued, agitated beat, you’d swear it was a ’40s standard, in the vein of “On Green Dolphin Street.” But it is, in fact, a familiar tune drawn from the Tchaikovsky ballet. Pianist Jan Lundgren and bassist Hans Backenroth are both from Sweden bassist Kristian Leth is Danish, as is the Stunt Records label. But he’s always sounded at his best in a small-group setting, and that’s where he is in Classics, his latest international release. He worked alongside so many jazz greats that it’s unnecessary to list them-it’s a history of the last half-century of jazz with some seeming anachronisms, like Scott’s stint with a late-career Benny Goodman band. He took up residence at Eddie Condon’s on 54 th Street, recording on Chiaroscuro and Famous Door before being swept up by Concord Jazz both as leader and sideman. By the time he hit Manhattan in the 1970s, you’d have sworn he was born a few decades earlier, so much did his sound conjure the world of Ben Webster and Coleman Hawkins. He’s based in Florence, Italy, playing festivals and club dates throughout Europe, occasionally visiting the US, where he was born in 1954. Tenor sax icon Scott Hamilton seems to lead as relaxed a life as his playing suggests.
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